asakiyume: (Iowa Girl)
Spent some time walking along the side of the highway today. I always feel strange and liminal when I do that because it's not something people generally do. The shoulders can be narrow, cars and trucks can be going fast--it's not set up to be walked along. It's a strange sensation to move through space in a way that no one is expecting you to. It can make me feel like I have superpowers: since I'm covering the space at a different speed, from a different vantage point, I'm able to notice things that otherwise don't get seen.

Like today. I discovered this Letter A lying on the shoulder:

Letter A in blue, with a blue border, carved on a piece of wood

It's 3.5 inches by 3.5 inches by 1.25 inches. From the front it looks like a child's alphabet block, but only one face is carved and painted, and it's not a cube. And it's pretty roughly made:

bottom of a block with the letter A on it

a block of wood at an angle so you can see three sides of it

Questions:

What do you think the original purpose or use of this Letter A was?

What, now, should or can the A stand for?
asakiyume: (the source)
We went for a walk at Bright Water Bog in Shutesbury, MA, yesterday. It was a misty, moisty, equinoctial day, with ice still present in places.

It was perfect. I do love-love-love places that blur water and land. Best of all? There were cranberries. Enchanting.

Cranberry, lower portion of the photo
cranberry

two more photos of two other cranberries, in case, like me, you can't get enough of them )

I saw a few just out of reach and was going to put a foot off the boardwalk and onto a tussock to pick one.

"I don't know if that's solid," Wakanomori said.

So I pressed on it with my hand, and down, down my hand went into that cold water. Not solid! Magic.

Canada geese or maybe otters or moose deliver mail here, I think:
mailbox

Actually it's a geocache location.... shhhhhhh

This lichen-bespangled pine sapling is enjoying the acidity of the bog.
bog pine with lichen

So much beauty--a mingling world of blurred boundaries.
Bright Water Bog
asakiyume: (shaft of light)
I learned so much in the Amazon: one, that the river inhales and exhales: when it has breathed in deeply and its waters extend the farthest, tall trees are underwater and the fish feed on palm fruits. Maximum expansion is March. And then it exhales, shrinks-shrinks-shrinks, and temporary islands appear, and people rush out and take advantage of the 40 cm of rich soil the river has left to grow quick crops that can be harvested before the river rises and swallows the islands back up again. The river is at its lowest point in September--at which time you can walk to the island across from the pier where we got boats when we went out on the water (this is on a tiny tributary--one of our guides called it a creek--but it looked pretty big to us!)

I saw all the types of liminal houses: houses on stilts, floating houses, and house boats. Here is a floating house.

floating house, Amazonas

I have more stories to share (of course!) but we caught Covid (despite everything; we were vaxxed and masked to the max), so I'll probably still be a little scarce around here for a bit.

One more thing before I go: I loved how indoors and outdoors blended. Here's a coffee shop and bakery where we stopped on the way back from a bike ride:

cafe and bakery "Anali"
asakiyume: (november birch)
Walking the rails is better when the weather isn't quite so bitingly cold, but it's always good. It's a way through the landscape that you don't usually see.

The rails were shining blue from the blue sky overhead:

walk the line 2

I saw cows--these cows--eating old butternut squash, just like they were this time last year, but this time I was seeing them from behind.

cows eating old squashes

And I saw a hidden vehicle graveyard:

tiny junkyard

And milkweed, glowing whiter than milk

milkweed and white pine

And a chilly November wetland

cold november wetlands

It was only a mini-ramble, but it was good. It's been so long since I've wandered Between like this.

deer

Apr. 26th, 2018 08:58 am
asakiyume: (shaft of light)
Deer have been wandering through the woods/swamp behind my house in the mornings, it's on their route from one place to another. I love how they're both present and invisible. You have to wait for them to move to see them, just ripples in the air, they blend in so well, but with watching eyes and their white-flag tails if they're startled.

I think with their camouflage they could wander across worlds and dimensions and centuries. It makes me understand why the shishigami, the forest spirit, in Princess Mononoke, is a deerlike creature.


He grants both life and death; maybe he moves between those worlds or states.

And it gives me new insights into the end of Chekhov's short story "Ward No. Six," where the main character, just before dying, has a vision of deer:

There was a greenness before his eyes. Andrey Yefimitch understood that his end had come, and remembered that Ivan Dmitritch, Mihail Averyanitch, and millions of people believed in immortality. And what if it really existed? But he did not want immortality—and he thought of it only for one instant. A herd of deer, extraordinarily beautiful and graceful, of which he had been reading the day before, ran by him; then a peasant woman stretched out her hand to him with a registered letter . . . . Mihail Averyanitch said something, then it all vanished, and Andrey Yefimitch sank into oblivion for ever.

(The collection of Chekhov short stories from which this is taken is available to read for free on Project Gutenberg).

I remember almost nothing about that story, except that image. ... I might reread the story. I took three books with me to England when we lived there as a family; a collection of Chekhov short stories was one, and I read and loved most of them. My memory isn't what it might be, but I know what roads to walk down to recover things.

And deer know all the roads, and how to be a part of the landscape and yet not of it. That's their magic.

a cold day

Dec. 13th, 2017 05:44 pm
asakiyume: (november birch)
I had to walk back to the house along the highway this morning, after dropping the car (the remaining car...) off for scheduled maintenance.

It was so cold, penetratingly cold, killingly cold, and windy--but it was morning, and the sun was out.

dramatic

This afternoon, walking that same route back to the mechanic's, it was a race between me and darkness. The clouds were rosy when I set out, and there was incandescent golden-orange brilliance behind the supermarket. But the light was dying and the wind was fierce, and I felt *very fragile* walking against the stream of homeward-bound cars. Almost no one walks that bit of road. Where there was briefly a sidewalk, I passed a woman walking her dog. Otherwise, I had my footprints from the morning for company. Somehow, my journey felt supernatural. When I was walking, step after step, through the crusty snow, pushing aside briars and the skeletons of mugwort or goldenrod on the safe side of a crash barrier, I felt that I wasn't in the same world as the people driving in cars. I was in some huge, howling, dark world, a world of coldness that would be happy to extinguish every living thing. When I made it to the mechanic's and opened the door into that warmth, I felt staggeringly relieved.

And then I drove home. And I myself was in that nice, ordinary world that I'd been on the outside of, walking on the roadside. But I could remember it.
asakiyume: created by the ninja girl (Default)






[livejournal.com profile] wakanomori ran a marathon this past weekend, in Portland, Maine (and did very well!) While he was running, I was admiring the salt marshes in the bay. When I started walking, the tide was out, and I was feasting my eyes on all the colors, and on the wave-tufts of the semi-flattened grasses:

grass crests and tufts

autumn salt marsh

I liked looking at all the treasures in the tideline:

tideline

feathers and a crab )

But what was most mesmerizing and enchanting was when the tide started coming in--insistent ripples pushing in on the grass:

egret and incoming tide

And the grass and ripples were like calligraphy--words written on water:

calligraphy of grass and ripples


asakiyume: (glowing grass)
[livejournal.com profile] sovay has a beautiful entry about walking through a salt marsh on Cape Cod (it includes the tale of the crab who is a baseball fan--but what team? Probably Red Sox, Cape Cod being in Massachusetts, but it could be a contrarian/free-spirited crab, in which case who knows? Maybe even Yankees) and her observations spur me to write about the crabs we met among the mangroves.

We first encountered crabs walking on a boardwalk at the Anne Kolb Nature Center at lowish tide.

"They're blue!" [livejournal.com profile] wakanomori said, and it's true: many of the crabs are blue crabs:



But there are also tiny mangrove tree crabs, which hug mangrove prop roots or branches, always hiding shyly on the side away from you. I didn't get a photo, but you can see some here.

At low tide, the mud is dotted with crabs' holes, and there's a percussive, multi-pitched sound of popping as they go in and out of them. Some of the holes aren't really holes; they're tubular sculptures made by natural potters without the benefit of a wheel.

And here is a swarm of tiny crabs--these are along the shore of Chokoloskee Bay by Everglades City [which is small town, not a city]--running away from my approach, probably screaming "Huuumaaaaan!!!" the way a crowd of people would scream "Shaaaaark!!"

Sovay talked about the color of the water where she was, "a cloudy lime-juice green, sun-shot and silt-dusted," and it made me think of the many colors of water we saw.

Green...

DSCN6686

Red ...

very red with tannin, Everglades National Park

Golden-gray

sunlight on water, West Lake Park mangroves

Olive-brown

green brown water, West Lake Park mangroves

... and now I really want to post about mangroves.


asakiyume: (cloud snow)






There's always something to see, if I go for a walk. These were snow waves I saw around 6 pm, after I finished with work.

snow wave

snow wave

Golden

May. 13th, 2014 10:27 pm
asakiyume: (glowing grass)
Just imagine everything is golden-yellow. Birds everywhere are golden: yellow warblers with streaks of orange on their breasts, and goldfinches, and golden-orange orioles, and black-and-white bobolinks with golden heads. Even the red-winged blackbird, with his scarlet epaulets, has yellow gold on him: fringe for those epaulets. And all these birds are singing golden songs. The trees, meanwhile, are a hundred different hues of yellow and green, and in the tender new grass (which tastes like the scent of hay), there are dandelions, with stems a foot long and flowers the size of half-dollar coins.

Around the corner of one road,a car had pulled way up off the road and two women and a little boy were knee deep in the meadow, picking dandelions. One woman wore a loose, off-the-shoulder top; the other had purple-red hair. The boy seemed barely dandelion-height.

I was with [livejournal.com profile] teenybuffalo; it was about 5 pm. We smiled as we passed, and the purple-haired woman said, in an almost intoxicated voice, "You want one?" and we said sure, and Teeny put hers through the buttonholes of her vest, a boutonnière, and I stuck mine in my braid--souvenirs of the golden land.

no camera, so here is a vague sketch from memory
asakiyume: created by the ninja girl (Default)



A story of a patrimony of sorrow, told to Luís Cardoso by Mali Mau... Random bolding is mine.


“When my mother was pregnant with me, she used to say that she wanted a good future for her child. She tried to find out from wealthy people how they came by their fortune, but when they spoke only of inheritances, natural talents and suchlike, she gave up. Then one day, an old woman came to her and told her that, if fate smiled upon her, she might accidentally meet the spirit of seduction, Pontiana. My mother didn’t believe in chance, though, and so she prepared herself just in case. Every night, she would sit outside the house next to the old gondoeiro tree where she imagined Pontiana lived. She protected herself with the scent of flowers and sandalwood and left a clay pot full of water to act as a mirror to attract the spirit. She thought that, like all seducers, Pontiana was bound to be vain and wouldn’t be able to resist peering into the pot of water to look at herself or to was her face before getting dressed up to seduce some errant young man. Her vigil, however, was often disturbed by the arrival of owls, and, being superstitious, she made a fire and scared off the noisy intruders with fiery brands. Sometimes, my father would demand that she come and lied down beside him on their sleeping-mat. And he used to say that, if she didn’t, he would have an account to settle with Pontiana. Many moons passed and that prolonged waiting meant that my mother, while growing big with me, was gradually becoming thinner and thinner. Just as I saw the light of day and gave my first yell, she uttered her last sigh and was snuffed out in darkness. My father buried her next to the gondoeiro tree, promising to avenge himself on the spirit. When he tried to cut the tree down, he saw my mother’s face in the middle of the whirling leaves and he pursued the wind that traced across the fields and which sowed misfortune and destruction. He did this so often that he became known to the other farmers as the storm thief. They waited a long time and worked out which day he would make his next crossing of a particular valley through which the winds passed. The members of the two main houses arranged themselves at the entrance. They said he would doubtless be tired. As the storm passed, they tightened a rope across the pass and he fell to the ground. With his bristling mane of hair, he loked like a wild horse, slavering and panting, expelling the air accumulated over the half millennium he had spent in pursuit of my mother’s spirit. When we buried my father, the two houses that had joined forces to trip him up got into an argument over ownership of the rope. Each claimed exclusive rights. Driven out of the village, the members of the Kaibauk house took refuge in the cave of a large lizard which immediately promised them reparation. And so it was that my village, as that time dominated by the members of the Nakroma house, was put to the torch. I wandered far and wide and I ended up here, as if I had risen up from the depths of the river. That’s why I feel this constant dampness inside me.”

--Luís Cardoso, The Crossing (London: Granta, 2000), 134–36
asakiyume: (misty trees)







"STAY ON TRAIL," the sign commands.
Or does it warn?
Or does it plead?

stay on the trail

"Otherwise," it might add, "You will find yourself Elsewhere." Else, Elsewhere

elsewhere


A cold-iron road runs through this land...

the rail in mist

but there are tunnels under it:

tunnel under the tracks


Here are pails of detritus from angelic rail repair:

old rail fasteners

And here are the footprints of a traveler who walks alongside, not on, the iron road:

raccoon tracks


asakiyume: (shaft of light)
It's calm, not a whitecap in sight, and there's sparkling manna everywhere, turning the grass to silver. The light is morning light, not dawn light anymore, but still long, and golden. Silver-golden. The long, silver-golden light of an inhaling, not the rose-golden light of evening, which is exhaling. Golden light has two sides? Morning and evening? Maybe that's it: the two sides of golden light are morning and evening. Or: golden light is a signpost, and one arrow points to morning, and the other to evening.

This golden morning light, with the leaves just so, and the road cool beneath my feet, is a place I inhabited first in dreams, but I come here often, now, and as I think about it, I'm glad we have three dimensions or more in which to give (and receive) directions, because some maps are hard to make, otherwise.

. . . And--an extra thought--when you inhale, like morning, your feet may come off the ground. Not that mine have, except in leaps, except in dreams, but they may. It is both permitted and possible.


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