asakiyume: (holy carp)
If you're fascinated by process and how something as magical as a mer tail actually comes into being, you'll like this part of the interview. Thanks again, stillwater_fx, for sharing all this great information and the marvelous photos!

asakiyume How did you first learn about making mermaid tails?

stillwater_fx For me, the moment I saw the practical props used in the movie The Thirteenth Year, by Disney, the tail and the arm fins in that movie were wearable items. When I realized that, I instantly thought about how I would have to wear one for me. And living in Puerto Rico, I already had a tropical paradise that most of us dream of: not even a mile away from my house was the beach.

In The Thirteenth Year, a boy realizes he's actually a mer person ... one hint--the scales appearing on him


A mermaid from the movie


And so I did the only I did the only thing that I knew to do. I dove online and I started looking for information about how to sculpt and all the information I could find on creature production and movie films. I found lots of information. I basically learned by reading: I taught myself; I found all the information about making sculptures, molding masks with latex, and props. It was grueling; I had to go through many hundreds of pages and forms and sites. Not all of it was complete; I had to make my own conclusions and connect the dots here and there. But eventually I started experimenting—small experiments, of course, because the materials are expensive for making mermaid tails, which is why the tails themselves are expensive. I’ve made many experiments. I’ve failed, and learned, and here I am today, making tails for people.

the tail-making process in four steps )

Any questions? Leave them here! And...

STAY TUNED FOR PART 3: FAVORITE PARTS, HARDEST PARTS, AND SWIMMING IN A TAIL
asakiyume: created by the ninja girl (Default)
I got a message from a friend (thank you friend) checking to be sure I was okay, seeing as I hadn't posted in a while. That's prompted me to post this--I am okay! Just a bit overwhelmed at the moment with the new job. Last week was my multiple-day orientation, and that was Very Daunting--lots of rules and procedures and things that mainly won't apply to me but that I have to know.

And yesterday was my first day of teaching, and it was a positive experience--the students are great and seemed to genuinely enjoy the material--but we went through the material I had expected would last the whole class in ... less than the whole class. Fortunately I had the week's materials to hand, so I was able to just forge ahead, but that put me off my stride a bit.

It'll take me a bit to get into the swing of things, but hopefully by next week or the week after I'll be back to my normal posting and commenting habits (though in more limited hours).
asakiyume: (more than two)
I was listening to a talk the other day, and the speaker was talking about how she preferred "yes, and" phrases to "no, but" phrases when talking about someone's ideas.

In general I favor this approach too. Conversation that builds up rather than breaking down is energizing and encouraging. But you can't only use "yes, and." Sometimes you want to disagree or criticize. The speaker seemed to think that even in those situation you could/should cast what you're saying as a "yes, and." The example that came up was the speaker's criticism of the Black Panther movie. She was saying that she loves it, that it's great, but that it has problems--among them, it holds up a model of a single important person, a king, who makes all decisions. But unlike me in the previous sentence, she didn't phrase this using "but." She used "and." ("It's a great movie...and it has this problem")

You can do that, but changing the conjunction doesn't really change the valence of what you're saying. Why not just acknowledge the criticism by starting what you say next with a "but"? Sometimes it's fine to criticize! Furthermore, criticism doesn't have to be destructive--as the speaker herself was showing. She clearly did like the movie.

Maybe what would satisfy both her desire to stay positive and my desire to own the criticism is "yes, but." Yes, I agree/like this, but I have a refinement or criticism to add.

Hey, and then there's also "No, and," which is even more negative than "No, but," right? Like with "No, but," you're saying no, but you're also saying "but," which means there's some point of commonality, whereas with "No, and," you're going to town with your criticisms--you've got more than one!

Wohoo, I think we can do a business-article-style four-quadrant graph:


OMG my dayjob is invading my journaling...
asakiyume: (miroku)
I don't usually edit whole books, but every now and then it happens, and this was one such case: Unlocked: Keys to Improve Your Thinking. I really enjoyed working on this book and have used some of the exercises in it with students I volunteer with, always with wonderful, thought-provoking results.



The intention of the book is to get people thinking about how they think, to understand how things like priming and cues work, to learn about the faultiness of memory and the selectivity of attention and so on, in the hopes that understanding how we think can help us think better. In the preface the author says,
People can react negatively to complexity and to rapid social and scientific change—for example, by retreating into rigid, deeply entrenched thinking, which leads to diminished curiosity and intolerance of those who think and act differently. Still more worrisome is an unconscious, invisible reluctance to challenge our own thoughts and feelings. Thinking, it seems, is far too often employed to justify an existing position rather than to explore, improve, and perhaps change it.

This book wants to change that.

I'm imagining that people reading here probably will, like me, be familiar with some of the thought experiments and information about thinking that the author presents, but probably/maybe (like me) not all of them. And they're entertainingly presented (though my nemesis, the trolley problem, makes an obligatory appearance).

One perk of doing the editing is that I have some books to give away! Both actual, physical books, which are better for some things (like writing down stuff when you're asked to write down stuff), and ebooks, which are better for other things (like hyperlinks and seeing stuff in color--the physical book is in black and white, but the ebook is in color).

Below the cut is an excerpt from the first "Think Key," which features an ethical dilemma that's a little less high-stakes than the one in the trolley problem. It'll give you a sense for what the book is like. To enter the giveaway, just express interest in a comment. In two weeks' time, I'll put names in a hat and pull three and post the results in a new entry. I'll also try to contact winners privately. You'll get both the physical book and the ebook.

Think Key 1: To Disclose or Not )

If you want to take a further look at the book, you can visit Amazon or the author's website.
asakiyume: (feathers on the line)
My dad has a friend--and now I have a friend--who co-owns a vineyard and winery--the Hudson Chatham winery. I was especially interested to get a look at it because I'd just copyedited a novella by Joyce Chng in which the protagonist inherits a vineyard. It was really cool to see the actual reality.

My big takeaway was that a vineyard is HARD WORK. Here is my friend pruning the vines in a cold time of year (she gave me permission to use the photo)



Here are those same grapevines this past weekend. Lush! The Hudson Chatham winery grows both white and red wine grapes, and many of the wines it makes are what are called estate wines--made totally from grapes grown on site. (This isn't true for a lot of small New York wineries, which make wine from grapes they buy in, and even the Hudson Chatham winery buys in some grapes so it can make certain sorts of wines, like Chardonnay.)

grape trellises

Here, up close, are some Seyval Blanc grapes, for white wine. They'll eventually turn a yellow color; they're about as big as the green table grapes you get in the supermarket.

Seyval Blanc grapes

Seyval Blanc grapes

And here, just beginning to get some color, are some Chelois grapes, used to make red wine. They're smaller, only slightly larger than the wild fox grapes you can see out in woods and fields.

Chelois grapes

photos of pressers, barrels, bottling machines, corking machines, and labels )

Last but not least, the wine on display in the tasting room!

wines on display

My friend invited me to come help out with the harvest this fall. I want to give it a try!


asakiyume: (good time)






One of the day-job hats I've been wearing recently--one that's kept me busy--has been guest editor of a magazine on community development, mainly in New England. The first issue with me as guest editor is out! The cover story is "Growing Inequality in Life Expectancy and Benefits for the Elderly"--basically, protections that are in place to help people in their old age end up benefiting the wealthy more than the poor, because the wealthy live longer. Even taking into account their greater inputs into the system, the wealthy benefit more. This is important to know because it affects how we try to shore up the system: if you decide to raise the age at which people receive benefits, for instance, you're going to be penalizing poorer elderly folks, because they have lower life expectancy.

More cheering is "Welcoming Immigrants and Refugees to Rhode Island," which showcases the work of an organization with a 95-year history of work in the field. I like the current focus on the power of story to change people's perceptions of newcomers. The author writes:

Facts rarely change how people think and feel ... We have found that presenting facts to people who do not already agree with us does not change what they think. People have to be ready to hear our information and be primed to believe it in order to actually process it. We use personal stories to prepare a more fertile foundation for our information. Through stories, we get people to process, remember, and share our information.

There are also two articles on rural development, one focusing on new economic forces in what's known as the Northern Forest, and one on restoration ecology (restoring sites after, for example, mining), which tends to take place in rural areas. There is also an article on using mobile technology to prompt people to save for college, an article on high school internships, one on revitalizing small and medium-sized cities, and more. Here's a link to a PDF of the issue (table of contents on page 3), and here's a web link. Maybe they'll be of use to you or someone you know for work, school, advocacy, or just interest.


asakiyume: (shaft of light)






My current job requires a bit of concentration, so I printed out some pages and worked on it manually, away from the computer and the temptations of the Internet. I found a great patch of light and sat in it, my back against the stove.

But you know, the mind is very good at coming up with distractions. I decided I had to take a picture of how the light looked. At least I waited until today to post. (The job's ongoing, though, so maybe I'll choose that spot again...)






asakiyume: created by the ninja girl (wanderer)






The healing angel's illness is mysterious and tenacious enough that we're off to a infectious disease specialist tomorrow. Work also continues fairly busy, and between caring for the healing angel and work, I haven't found time for much else. I miss folks here but peer in now and then while I'm working.


asakiyume: (shaft of light)
Of course, just a day before I need to start the slow process of traveling to Readercon (first a journey to my dad's to pick him up), I'm inundated with work I need to do. I may have to take some of it with me to Readercon, which I haaaaaate doing. (I like typing all those a's though.)

But I'm still going to share some photos. This morning, as I set out for my walk, there was a whizzzzzz, like an electric car, only what it actually was was a guy with a backpack, bandana, and cigarette, sailing past on a skateboard! I was so delighted. He got off the skateboard when he reached the big downhill at the end of my street, so I was able to chase after him (shameless!) and catch him on the boardwalk. I said he'd looked super cool sailing by, and could I take his picture? And he said yes! And so I did, and thanked him.

early-morning skateboarder )
asakiyume: (man on wire)







The article I wrote on the problems with money bail is live now.

Guilty until proven innocent: the problem with money bail.


asakiyume: (Iowa Girl)
Andy Posner wanted to bring microloans, a much-heralded form of aid in the developing world, to America's "underbanked" populations. When he established Capital Good Fund, it was with the notion that as in the developing world, the loans would be used to spur small-business growth.

What he discovered, though, was that the people he wanted to serve had a big need for plain old personal loans. If they wanted to put down a security deposit for an apartment or make a car repair, their only alternative was often predatory lenders. (I can attest to the difficulty of getting loans from my own personal experience, at the time when we were at our lowest point, financially, and also from the personal experience of my friends.) Getting into the personal lending business hadn't been his intention--but it was what his clientele really needed.

His story is a great example of actually *listening* to communities and not merely bestowing aid from on high: "Reconsidering the Need for Personal Loans," by Andy Posner: http://www.bostonfed.org/commdev/c&b/2015/spring/Posner-reconsidering-the-need-for-personal-loans.pdf

(For a version of the article with a brief video from Andy Posner, use this link: http://www.bostonfed.org/commdev/c&b/2015/spring/posner-reconsidering-the-need-for-personal-loans.htm)


asakiyume: (miroku)
Last week I engaged in *three* cultural experiences, which is three more than I usually do--and *all* of them I want to share about. . . but somehow I suspect that won't happen, or it may be some time in coming. So here's a Cliff Notes version. If you read this, you will probably pass the pop quiz.

Lois Ahrens on the real cost of prisons

Lois Ahrens is a long-time activist against the prison industrial complex, who spoke a little about her experience documenting the cost of prisons. Her talk about bail reform particularly galvanized me; I'm actually going to write up a nonfiction piece on alternatives to bail to try to get these ideas in front of new eyes. Two relevant websites: The Real Cost of Prisons Project and The Pretrial Working Group.

Gerald Vizenor: Native American poet, novelist, and scholar

I heard him speak about researching his most recent novel, Blue Ravens, about young men from the White Earth nation in Minnesota who fought in World War I.



He dropped poems right into the talk, and even his ordinary speech was alive--he talked about troubled words, enthusiastic silences. He said, "It's difficult, always, to make poetry out of horror, but it must be done."


The Magna Carta . . . and some other documents

One of four extant copies of the original 1215 Magna Carta was visiting a [not quite] nearby museum, so we went off to see it. So that there would be some other things to look at, the museum had also gotten first printings of the Declaration of Independence, the Emancipation Proclamation, the Declaration of the Rights of Women, and the Universal Declaration of Human Rights, as well as a draft copy of the Constitution, complete with copyediting insertions and critiques.

The Magna Carta was written in what was described as a tiny but legible script . . . and boy, was it tiny! Except for the first line, which tall, lean capital letters before each word.

As for the other documents, one thing that impressed me was the IMPRESSION of TYPE on PAPER--if we could have reached under the glass and touched them, we could have felt the depressions where that hot lead was pressed into the fibers of the paper. So tactile. Not like now, when words are just photostatically stuck to paper, or laser jetted onto it.

More in dribs and drabs, if I get a chance. And now, back to work. . .


asakiyume: (feathers on the line)






In New Hampshire, there's a literacy program called Connections, geared mainly to nonnative English speakers new to the United States, that supplements its curriculum with book discussions:

A four-part book-discussion series, Connections augments the curriculums of established literacy programs by bringing content-rich children’s literature with thought-provoking themes to students from around the world. New readers meet with teachers and Humanities Council–trained facilitators to learn new vocabulary, engage in lively discussions and supplementary activities, and explore the world and ideas through books. . . Biographies, novels, short stories, and poetry connect new readers to history, ideas, culture, and themes that are relevant for those who are new to the country.


Participants really enjoy that aspect of the program. Commenting on it, a director of an adult-literacy program said,“[Connections offers] our students a way to expand their vocabularies, think analytically and critically, share their thoughts, and experience the joys of actually reading.” One student said, “I love to read. I love books . . . I have to share my books with everyone.”

And the program even produced its own book, a bilingual tale in Nepali and English: The Story of the Pumpkin.

New Hampshire Humaniities Council Folktale Festival celebrating The Story of the Pumpkin; photo by Deb Cram. Source: here


You can read more about it in Susan Bartlett, "Connections Adult Literacy Builds Bridges for New Americans."





asakiyume: created by the ninja girl (Default)
I had to take the healing angel to school yesterday as he missed the bus. Several of the schools in town are clustered near each other, so after dropping him at the high school, I cut through the parking lot of one of elementary schools, in time to see a bus park. The bus driver, wearing a vest with reflective tape on it, came out, and with her came her toddler son, also wearing a reflective vest.



Childcare in this country--it's catch as catch can. She has her son with her while she works. I had an office worker friend who kept her daughter with her in a playpen for her toddler years--the place she worked was child friendly, and the people she dealt with (visiting scholars from other countries) enjoyed getting to know her daughter.

Coincidentally, just as I was watching this scene, an R&B song came on the radio, a single dad singing about delighting in doing all the stereotypically motherly/womanly things for his son and not caring if he gets mocked. I wish I could have caught enough of the lyrics to find the song, because I'd share it. All I know is that it's not one of these songs by dads for their kids, some of which are, however, awesome.

Meanwhile, lots of grandparents are raising their grandkids these days--the girl I teach Japanese to, for instance, lives with her grandmother. Unfortunately, many of these grandparents have a hard time making ends meet--rules regarding benefits both to older people and to the children themselves aren't set up to take into account this living arrangement. (Article here: "Measuring Economic Security for Grandparents Raising Grandchildren".)


asakiyume: created by the ninja girl (Timor-Leste nia bandiera)
I get emails from the East Timor Action Network, and today a really wonderful story came down the line, a story that, at present, doesn't have an online home. The author gave me permission to share it here: it's a story of women embracing nontraditional jobs in Timor-Leste. Having experienced firsthand how intermittent the water supply can be in Ainaro, I was moved and impressed that Diolinda wants to be in a position to help secure the water supply in her community.

The course she's taking is terribly important. Until now it hasn't been possible to get construction qualifications in Timor-Leste--the nation had to hire foreigners to do that work. Now, not only are Diolinda and her colleagues getting a great qualification and a chance to earn a good living, they're helping make the nation self-sufficient and strong.

Women Can Too
by Sarah Francis


Diolinda 2
photo by Sarah Francis


Meet Diolinda Ximenes, a 26-year-old who is leading the way for women to branch into non-traditional jobs in Timor-Leste.

“I’ve been studying Certificate 2 in Plumbing at Tibar Training Centre for two months ... I decided to study plumbing because I wanted to learn new skills ... I am married and have a five-year-old son. My husband stays at home in Manatuto and looks after our child.”

Diolinda is one of 457 students studying construction certificates in Timor-Leste. As part of the Mid-Level Skills Training Project, three training providers, namely Tibar Training Centre, Don Bosco-Comoro and DIT-Baucau, are being developed so that they have the capacity to offer construction courses in levels 3 and 4.

“I’m really enjoying this course,” says Diolinda. “I’m learning new things and developing skills in plumbing ... The teachers here at Tibar Training Centre are good. They share their knowledge with us and have good teaching methods. When we do practical exercises they demonstrate the tasks step-by-step so that we can learn from them.”

Until 2012 it wasn’t possible to gain formal nationally accredited construction qualifications in Timor-Leste. As such most of the construction jobs in Timor-Leste that require skilled workers are given to foreigners. This project aims to equip Timorese youth with skills that will lead to paid work, reduce Timor Leste’s high youth unemployment rate, and put local people in local jobs.

Read more... )

Text in Tetun )

Sarah Francis first came to Timor-Leste six years ago, and was so inspired by the people she met and their stories that she moved back in 2012. She has since worked in communications roles to promote programs that effectively engage Timorese young people, including the Mid-Level Skills Training Project and Action for Change Foundation
asakiyume: created by the ninja girl (Timor-Leste nia bandiera)
I've lived in the United States, England, and Japan--all countries that are well-off. I've never lived in, or even visited, a so-called developing country before. There are lots of different narratives about developing countries; what stories get told depend on the purposes of the teller--unsurprisingly. The hard facts of life in Timor-Leste didn't escape me--not just (just!) the trauma of recent conflict, but also the high infant mortality and food insecurity. But there was so much that I saw that was cheerful, vigorous, optimistic.

Twice a day there was a rush hour in Ainaro--foot-traffic rush hour, as kids streamed in to school. They were smiling, chatting with friends, looking sharp in their uniforms. Many of the teachers are unpaid local volunteers--now, you could see this as a problem (unqualified teachers), and yes, it would be good to have teachers who've been trained as teachers, but on the other hand, what dedication and sense of service that represents! And it seems to me quite likely that some of those volunteers are very good teachers.

Most people in Timor-Leste are subsistence farmers, but in Ainaro I also saw a carpenter's shop...

They're making a cabinet (frame on the left). The day before, they were making a bed frame.

carpenter's shop

... and next door to where I was staying was an auto repair shop, and up the street was a van out of which Timor Telecom operated--the women there are fluent in English and got me set up with enough pulsa that I could phone home.

And some women earn money weaving tais, traditional textiles whose patterns vary depending on the region. This woman told me she could weave my name into the one she was making (but I was leaving too soon).

a tais weaver

There was also the bakery, a couple of restaurants, and several copy and photo shops (these were popular with kids)--and these are just the things I happened to notice.

Here are some shops selling clothes

shops in Ainaro, Timor-Leste

Everything's just very labor-intensive, though. People were cutting the lawn across from the classroom with hand sickles, for instance.

As for play, I saw girls doing what we called Chinese jump rope when I was a kid, and everywhere little kids, boys and girls both, rolling tires with sticks:

playing with a tire and stick playing with a tire and stick

There are stone-lined water-runoff ditches along the roads, and I saw children playing in these too. One boy had a big palm stem that he was driving like a truck, making truck noises, along the edge of the gutter.

There's a football (soccer) pitch in the center of town, and in the late afternoon, I saw older boys and men playing on it. There's also a pool hall, and every evening someone's having a party--all the students talked about them. Several of the guys played the guitar, and several of the girls sing, and everyone seems to like dancing, including the newly ordained priest. Cockfighting is also popular--it goes on at the Saturday market (I saw the crowds gathered round, but didn't actually get up close to see the fight.)

Overall, people seem hopeful; they have plans, they're doing things. That's my narrative, anyway :-)


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