In mirrors
Jun. 5th, 2015 12:43 pmI'm still very much enjoying Boy, Snow, Bird, which is doing all kinds of complicated things, things I'm still trying to stretch my mind around, while at the same time telling a comprehensible story in an intriguing way.
This section is told from Bird's point of view (Bird is the dark-skinned daughter whose birth reveals that her father's family have all been passing). She doesn't always appear in mirrors, which makes her fascinated by how other people regard themselves in mirrors:
And now the story enters an epistolary phase--complicated by the gift of a pen whose ink vanishes. . .
A propos of nothing--well, fairy tales, maybe?--some rosa multithornaflora

This section is told from Bird's point of view (Bird is the dark-skinned daughter whose birth reveals that her father's family have all been passing). She doesn't always appear in mirrors, which makes her fascinated by how other people regard themselves in mirrors:
Grammy Olivia avoids her own gaze and looks at her hair. Gee-Ma Agnes peeps reluctantly and then looks glad, like her reflection's so much better than she could have hoped for. Aunt Mia shakes her head a little, Oh, so it's you again, is it? Louis tenses and then relaxes--Who's that? Oh, all right, I guess I can live with him. Dad looks quietly irritated by his reflection, like it just said something he strongly disagrees with. Mom locks eyes with hers. She's one of the few people I've observed who seems to be trying to catch her reflection out, willing it to make one false move. (p. 185-186)
And now the story enters an epistolary phase--complicated by the gift of a pen whose ink vanishes. . .

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Date: 2015-06-05 04:49 pm (UTC)That sounds like a book I must read.
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