asakiyume: (Em reading)
I finished Rebecca Fraimow's Lady Eve's Last Con, which was rollicking good fun from cover to cover. A couple more quotes (nonspoilery) from further on in the story:

"I’d given her plenty of time to put me back in my place; she’d be faster on the draw next time around. It’s a bad habit to let yourself get caught tongue-tied. Life’s too short for should-have-saids." (51% in)

"I stuck my chin up, and tried to look like a person who was trying to look brave." (91% in)

I got one hilarious surprise, which was that one firm prediction I'd had since the very beginning ... didn't come true. All along I'd been congratulating Rebecca on treading a very difficult line to just about allow it to be possible--and then it didn't happen. I was so sure of my prediction that I had a hard time believing the evidence on the page, and then when I'd absorbed the fact, it threw what I'd seen as delicate treading into a whole other light (of the "No, actually it's quite simple: the obvious judgment is the correct one" variety). The way the story played out in reality makes for more satisfying storytelling, I think, and allows for more nuance and growth for one character, so I was pleased with it. It just took a moment of mental rearranging for me to get there (and I was retroactively a little ashamed of my prediction).

My morning morsel of Robin Wall Kimmerer's Braiding Sweetgrass brought a reflection on strawberries:
In a way, I was raised by strawberries, fields of them. Not to exclude the maples, hemlocks, white pines, goldenrod, asters, violets, and mosses of upstate New York, but it was the wild strawberries, beneath dewy leaves on an almost-summer morning, who gave me my sense of the world, my place in it.

I grew up in upstate New York too. For me it was the black raspberries of early July. Being with them was my everything.

Robin Wall Kimmerer went on to talk about how the nature of a thing can change depending on how it comes to us:
It's funny how the nature of an object--let's say a strawberry or a pair of socks--is so changed by the way it has come into your hands, as a gift or as a commodity. The pair of wool socks that I buy at the store ... I might feel grateful for the sheep that made the wool and the worker who ran the knitting machine ... But I have no inherent obligation to those socks as a commodity, as private property ... But what if those very same socks ... were knitted by my grandmother and given to me as a gift? That changes everything. A gift creates ongoing relationship. I will write a thank-you note. I will take good care of them and if I am a very gracious grandchild I'll wear them when she visits even if I don't like them. When it's her birthday, I will surely make her a gift in return ... Wild strawberries fit the definition of gift, but grocery store berries do not.

Continuing to work my way through Why Didn't You Just Leave, edited by Julia Rios and Nadia Bulkin. As usual with an anthology, some stories strike my fancy more than others.
asakiyume: (Em reading)
I have so many saved up for this! And I'm actually writing on a Wednesday. Wohoo, win condition!

What I've just finished

A Family of Dreamers, by Samantha Nock. [personal profile] radiantfracture put me onto this collection by quoting one of the poems. Samantha Nock is an indigenous poet, and her poems reflect that heritage, but also explore family relations, love, self doubt--you know: the stuff we write poetry about.

Some quotes )

* * *

Ideias Para Adiar O Fim Do Mundo, by Ailton Krenak
This has also been translated into English (Ideas for Postponing the End of the World). Ailton Krenak is an indigenous activist from Brazil, of the Krenak people, and this very short book collects talks that he's given, including the title one. He's very, very good at reminding his listeners that there's more than one way of understanding things, more than one way of approaching problems, and that for some people, the end of the world has been happening for a long, long time. (My Goodreads review has quotes that give a feel for it)

* * *

Besty and Tacy Go over the Big Hill, by Maud Hart Lovelace
They do, and they discover a community of Syrian refugees. The more things change...

This story mulls over kings and queens in lots of different ways. Early on the girls write a letter to Alfonso XIII, who upon turning sixteen has become king of Spain. The girls tell him that they'd love to marry him but realize that, sadly, they can't, since they're not of royal blood (also they're only ten, but they don't mention that), but that nevertheless they wish him the best. And then at the end of the story they get a letter back from the royal secretary, telling them the king appreciates their thoughts! And I was thinking how much smaller the world was then--that girls could write a letter to the royal palace in Madrid, and that a palace secretary would actually answer! ... Well, assuming that that incident is based on something that actually happened in MHL's life--it might not be. But it's conceivably possible. Alfonso XIII came into his majority in 1902. Wikipedia tells me that in 1900, the human population was a much more intimate 1.6 billion. Not like our current 8 billion. Palace secretaries could write to little girls in Minnesota!

What I'm reading now

Braiding Sweetgrass, by Robin Wall Kimmerer. My approach to this has been very roundabout. I'm not a big fan of long books of serious essays, even when I should like them. So I started by just dipping in. But it's won me over, so I'm going to read it straight through.

* * *

Why Didn't You Just Leave, edited by Julia Rios and Nadia Bulkin. A collection of horror stories that answer the question of why people don't just leave the haunted place they're in. Excellent so far.

* * *

Lady Eve's Last Con, by Rebecca Fraimow. A rom-con romcom in SPACE that I've only just started but is highly delightful already, with lines like this:

Ever since we got in on the luxury-liner gambit, money had been dropping into our hands like coolant from a leaky ceiling

and

It wasn't so hard to get someone like Esteban to think that you were their romantic ideal; all you had to do was present an attractive outline and leave plenty of space, and they'd fill in the rest all by themselves.

I think I can see what the end state is going to be, but I am here for the ride!

Coming Soon
Betsy and Tacy Go Downtown, the next of the Betsy-Tacy books.
asakiyume: (Em reading)
So those two stories in Consolation Stories that I mentioned last entry--I think I’m going to write about them one at a time. Today will “This Is New Gehesran Calling,” by Rebecca Fraimow (on here as [personal profile] skygiants, though I have had the hardest time linking that name and her author name in my head).

I *loved* this story. I was so absorbed by every detail of it—it was truly wonderful, and perfect for the anthology. It’s about a pirate radio broadcast to a very far-flung set of refugees, and how the broadcast touches their lives—and the story manages to do that and show that so economically and yet without stinting at all—it’s so rich—and yet you can follow everything.

It starts like this:
There wasn't a New Gehesran anymore. Three years ago, the renaming had become official, in a municipal whirlwind of new-printed signage and digital batch-edits, but the people who'd packed themselves into refugee ships when the final city domes fell knew that New Gehesran had ceased to exist well before that.

Okay. Situation established. From there we go to an “intrasolar doublewide unit”—the spacefaring equivalent of a refugee tent, “barely bigger than a six-stall barn.” This one is housing two adolescents, two parents, and the sister of one of the parents. Tir, one of the adolescents, is playing with the radio dial:
“and here were the words, crackling but clearly distinguishable: ‘This is New Gehesran calling.’

The voice was jazzy, smooth, evenly paced – just like any other broadcaster on air, just as if they weren't calling up a ghost. ‘This is New Gehesran calling, so don't change the channel, because we're bringing you the freshest tunes, hottest issues, furious debates, plus! Special tonight! Did you lose track of someone during evac? Make sure not to miss our twelve-step guide to short-cut you through your search –‘”

Tir and Suki figure out the broadcast pattern, and soon the whole family is listening to these voices recalling a time when there was a New Gehesran.

Then the story shifts to the broadcasters, so we get to see what they’re like, and then to other listeners elsewhere, each shift making connections to earlier sections as the pirate broadcast brings the refugees themselves closer to one another. You feel like you, too, are among the listeners. You’re connected too.

Really I want to take you through it scene by scene—this is like when you buy someone the perfect present and you’re so excited about it that you want to open it for them—but *possibly* you would like an un-Asakiyume-mediated experience, so I'll exercise great restraint.

I’ll just say that there’s a scene where the broadcasters have brought together a group of elders to talk about making a traditional treat, poracake, and OMG, if you’ve ever been around people arguing about the authentic way to make something, acceptable substitutions (if any!), you will recognize the perfection of this scene.

And the ramification of that broadcast segment are delicious and heartwarming—truly a perfect consolation story.

(It might be a good time to mention again that the anthology is raising money for a COVID-19 appeal being run by a UK charity that supports the University College London Hospitals NHS Trust. The editor says, “It supports patients, families and frontline workers, as well as providing funding for new facilities and for research.” If you’re interested in buying it, the links can be found here.)

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