asakiyume: (dewdrop)
Back in December, the daughter of the novelist Grace Lin, who lives in the region, was creating and selling magical ducks as a fundraiser for the emergency fund her school's PTO had set up for families in need. I bought a few, and today several of them have taken residence in the nooks and crannies of the wall of the nearby railway bridge:

George Hannum railway bridge, Easter 2021

Here are a couple from a distance--can you see them?

magical ducks 3 & 4, Easter 2021

And up close:

close-up of magical ducks 3 & 4

Here's another at a distance and up close:

magical duck no. 2 Easter 2021

close-up of magical duck no. 2

And the last one:

magical duck no. 1 Easter 2021

close-up of magical duck no. 1

It's kind of a stressful bridge to walk under because it's only wide enough to permit one car and there's a fairly frequent number of cars (... for a semirural area--the road is a shortcut to highways south), but it does get some foot traffic (people like me). I guess these constitute Easter eggs, in the internet sense of the word, for those who happen to look at the wall?
asakiyume: created by the ninja girl (Default)
I wrote this brief essay on bridges in Susanna Clarke's faerie for Apex Magazine back in September 2010. How long, long, LONG ago that seems now.

Anyway, there's been some interesting conversations among my DW friends about Clarke's short-story collection The Ladies of Grace Adieu, and on [personal profile] sovay's suggestion, I thought I'd repost it here:

In “Tom Brightwind, or How the Fairy Bridge Was Built at Thoresby,” a short story of Susanna Clark’s in the collection The Ladies of Grace Adieu, the fairy Tom Brightwind is persuaded to build a bridge connecting the depressed little town of Thoresby to the outside world.

He promises to do it in just one night. Not hard, you say, because he is a fairy. True, but what was interesting to me was how he did it. He didn’t magic up a bridge out of clouds and air. He didn’t even magic up masonry and float it into place. No: instead, he uses his magic to summon horses and workmen from their sleep, along with an architectural student (who comes equipped with a book that has an image of a bridge by Piranesi, which is to be their model), a stonemason, and an engineer.

The engineer must direct the workmen to build the bridge. It doesn’t go smoothly:

By two o’clock Henry Cornelius [the architectural student] was in despair. The river was not deep enough to accommodate Piranesi’s bridge. He could not build as high as he wished. But Mr. Alfreton, the master mason, was unconcerned. “Do not vex yourself, sir,” he said. “Mr Wakely [the engineer] is going to make some adjustments.


But eventually the bridge is built, and the enchanted laborers all find themselves drifting back to sleep (the story doesn’t tell us how or when they make it back to their homes again).

I was intrigued by this method of building the bridge, especially given the fantastical fairy bridges in Faerie itself, as conceived by Susanna Clark in Jonathan Strange and Mr Norrell. In this excerpt, the (human) magician Jonathan Strange describes one such bridge:

Then suddenly I passed under an arch and found myself upon a stone bridge that crossed a dark, empty landscape. The bridge was so vast that I could not see the end of it … It was much higher than any bridge I have ever seen in this world. The ground appeared to be several thousand feet beneath me.”


That bridge, I fancy, was not build by architects, stonemasons, and laborers roused from their sleep. One can’t imagine them knowing how and where to begin to build such a thing. That bridge, moreover, lies along the “King’s Roads” in Faerie:

The King’s Roads lead everywhere … They were built by magic. Every mirror, every puddle, every shadow in England is a gate to those roads.”


So a fairy bridge, built in Faerie, is built by magic, and is beyond real in all dimensions and attributes. But a fairy bridge, built in this world, even by magic, must adhere to the laws of physics, must take into account statics and stresses and load-bearing members … and river depths. So maybe that’s why, even when built by magic, a bridge in this world requires an engineer, a stonemason, and many workmen.

Then again, maybe it was all down to the whim of Tom Brightwind. What do you think?

Image is "A View of Part of the Intended Bridge at Blackfriars, London," and I use it for illustration purposes ... can you guess why? I will tell: it's because it's by Giovanni Battista PIRANESI
asakiyume: created by the ninja girl (Default)
I was saying to [profile] malorys_camera that a switch has flipped in my brain and now I'm tired of thinking about COVID 19. The other day I went several tens of minutes without thinking about it at all, and that was great! (Don't mistake me; I'm not saying that it's not serious--not saying that at all--I'm just saying that having my thoughts chained to it feels like being Alex in Clockwork Orange when he's got his eyes stuck open and is being force-fed Beethoven's Ninth. You could be exhausted by something as lovely as Beethoven's Ninth if the circumstances were right, and let's be real: COVID 19 is not that lovely.)

So for a change of scene, let me show you the Hardware of the Street which I discovered. I mean! Programming for a whole street! Admittedly a street in a housing development in western Massachusetts, so like, not the most crucial of streets. But just imagine what directives and protocols it might hold. What if roads communicated up to the things that pass along them?

IMG_0024 IMG_0023

And speaking of, you'll enjoy a year's worth of animals passing over this natural bridge (condensed into five minutes--try watching just one! You'll be hooked), if you haven't already encountered it on your social media feeds. You'll be surprised at the variety of animals using it--fun to see the river in different states, as well.

miscellany

Aug. 29th, 2015 07:36 pm
asakiyume: (the source)
It's been a whole week since I posted. I used to never let a week go by without posting; I couldn't bear to. I don't know precisely what's changed, though I have some ideas . . . but enough of that.

Here are some things I've been thinking about and would like to talk about more at some point. Alif the Unseen. I finished this book and loved it. It was funny--I was reading humorous bits out to family members--had excellent characters, an exciting story, and faith was an integral, moving part of the story in a way I liked. I'll make a Goodreads review at some point, and I hope I'll say more, but that's the executive summary.

Ondine. [livejournal.com profile] sovay reviewed that movie here, and I was very taken by what she said. The movie was everything she said it was, and the character of Annie, the daughter who weaves a story for her father and the woman he pulls from the sea, interested me very much--her role as the storyteller. I want to say more about that at some point, too.

The uses and limitations of empathy. The movie Ex Machina (flawed, dissatisfying film, but it did spark conversation here) got me thinking about what gets said about empathy and humanity and sociopathy, etc. etc., and I realized that, to me, it's more important how people ACT than how they FEEL. There are exceptions and caveats and curlicues, and I thought I might post a whole entry on this topic, but who knows when? But yeah, that's been on my mind.

Lastly--photos. Today [livejournal.com profile] wakanomori and I went for a bike ride and crossed a bridge. On one side, the water ran to sky; on the other, there were water lilies:





And some extremely contemporary graffiti was inscribed on the bridge:

asakiyume: (feathers on the line)
I feel very proprietary about the boardwalk near our house because I helped it get built (in a roundabout way--I didn't actually help build it). So, when someone leaves a crumpled-up can of soda or a Dunkin Donuts coolatta cup on it, I pick those things up, and I try to keep the marsh it goes through clear of rubbish, too. I love the marsh even more than the boardwalk.

When I saw some mischief makers had managed to push a shopping cart over the boardwalk rails and into the long grass in the marsh, I was frustrated. It would be very hard to fetch the shopping cart back out: everything's overgrown right now, including the sharp-thorned rosa multiflora and the poison ivy.

This was the situation:



The sides of the boardwalk are chain-link, so it's extra hard to get the cart up (and it must have been hard to push it over into the marsh, too)--you can't just reach it onto the boardwalk; you have to get it up over the guardrails, which are about my chest height.

I thought that if we had metal hooks and ropes, maybe we could get it up. So I bought some at the hardware store, and the healing angel and I cut the cord and threaded it through the holes in the hooks.



Then we tried fishing for the cart, and we caught it! And we were able to turn it rightside up. But it was VERY heavy. Heavier than I was bargaining on. So I checked, and seeing that there wasn't any poison ivy or other pernicious plant in that part of the marsh, I went out to the road, climbed over the guard rail, and went under the boardwalk into the marsh. I was thinking maybe we'd have more luck just pushing it out from underneath the boardwalk, straight onto the road, rather than trying to lift it over the boardwalk's rails.

Here's us fishing for it. The healing angel is actually rail thin, not beefy the way I've drawn him, whereas I'm more middle-age rounded than the aspirational me I've drawn.



Fortunately it's been pretty dry this summer, and where I was walking was muddy but not actually flowing. I was wearing flip-flops. Once underneath, I trying pushing the cart in the direction I'd come, but it wouldn't move. Hell, carts can be hard to push on smooth supermarket floors if their wheels get jammed, and there was plenty of long grass and mud to jam its wheels there.

So we were back to our original plan. We realized we could inch the cart up bit by bit if I lifted and he pulled, and in between pulls he tied the ropes to the chain-link. We got it up pretty high, and at just the right moment a family came walking by, and the father was able to grab the handle, and between him and the healing angel, they got it back onto the board walk.

Here's us before the family came along


Then I pushed it back to the supermarket while the healing angel rolled up our cords into the neat bundles in the photo.

I felt so deliriously pleased with myself! I saw a problem, thought up a solution, got the bits and pieces needed for the solution, and tried it, and it worked. I don't know if that's ever happened before--not with some mechanical, technical thing, anyway. I know it's a stretch to count this as mechanical or technical, but I do. And the healing angel seemed pretty pleased too. And we did it together! And we enlisted help from passersby. It was good, very good.

And now the marsh is no longer hampered by a shopping cart. It's all just long grass and song sparrows again. Yay!


asakiyume: (man on wire)







A while ago I was writing short vignettes about bridges. I ended up writing seven--and now they're live, at The Future Fire. You can read them here (and enjoy a different bridge illustration for each vignette), and the rest of the issue here.

But let me just give you some pictures of the referent for the final bridge. Here is the natural feature that is the original inspiration:



And here is the allusion to it that the bridge in the story is copying:
Amanohashidate at Katsura
Photo by Jiahao Chen on Flickr

I love the way in the illustration, Carmen has made that last bridge rainbow-dreamy. I like her vision for all the bridges.


asakiyume: (glowing grass)
On my walk this morning I was thinking how on a walk some days ago, I'd found a robin eggshell. I looked down and found a cardinal eggshell. Further along on the walk I found a luna moth wing: it was a morning for sweet finds.

cardinal egg, luna moth wing

In the evening, as the sun was setting and streetlamps were lighting up, a cardinal came and perched on one. From newly hatched to adult in one day.

Later in the evening, when it was quite dark, I went to pick some cilantro, and the first firefly of the season was in the cilantro patch, lighting up the underside of the cilantro leaves--and he paid my hand a visit, too.

Earlier in the day, some kids were playing soccer on the common, and one of them was wearing a Brazilian flag as a cloak. I had only my cell phone to take a picture with, but:


Viva Brasil!

I guess we know who he's rooting for in the World Cup!

I am writing a little something with bridges in it, and almost every day I walk along a bridge, and as I walk, I think about bridge folktales--mainly bridge battles: the three billy goats and the troll, Robin Hood and Little John, Benke and Yoshitsune. Can you think of any more bridge battles in folktales or legend?


Benke meets Yoshitsune on Gojô Bridge, by Utagawa Kuniyoshi (Source)


asakiyume: created by the ninja girl (Default)
I told [livejournal.com profile] sovay about this railway bridge--the tracks are gone now; it's a hiking trail--for the Delaware & Hudson line. There are dandelions and sumac growing on this bridge now.

The D&H

I do love its flourishing style and debatable quotation marks . . .

The D&H

Here, the restaurant instructs passersby to Google the chamber of commerce for menus (though I like reading this as "Google chamber"--do you dare to enter the Google chamber?)

Google chamber

But a church in the same town warns that you won't find all your answers through Google

A church opines on Google

Past the church, the coffee shop has its doors open--maybe you'll find some answers in a cup of . . . Java? Joe? What other names for coffee? ("Java," by the way, is used as a name for coffee in The Grapes of Wrath---I didn't know the slang was that old.) [livejournal.com profile] osprey_archer, I thought of you when I took the coffee shop photos :-)

coffee shop


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