asakiyume: (far horizon)
Maybe you've seen the trailer for this wordless animated film about a black cat in a post-human world. (If not, here's a link.) The visuals were so evocative and beautiful--and the cat so like my own cat--that I was very excited to see it.

Yesterday I did see it, and it was indeed beautiful to look at ...

but... )
asakiyume: (miroku)
I stumbled across this short (14 minute) film on Twitter--it's apparently nominated for an Oscar. The first image was so arresting--a house held by bolts and ropes to the side of an icy cliff. A little boy swings over the abyss.





The art is beautiful--I watched entranced. In the wordless story, a bereaved father and son have a set routine: every morning, they chip a brick of ice that the father has left out to freeze the night before. They put the pieces in a bag and parachute down to the town far below--sharing one parachute (the son is essentially in a carrier on the father's chest). They sell their ice for a few coins. Every afternoon they pulley themselves back up to their house. They eat dinner by their wood stove; the son swings, the father fills the box with water to turn into ice for the next day.

But I have a major criticism: conservation of caps )

It's truly gorgeous animation. I was mesmerized by the (rest of the) details, and I appreciated how I could feel the father and son's emotions though everything was very understated. And spoiler ). I just wish the director had hit upon a different mechanism to fulfill the role the hats end up fulfilling.




**It would be pretty hypocritical for me, who wrote about a temple suspended from chains bolted to the walls of a volcanic crater, to object to a house bolted to the side of a cliff.
asakiyume: (turnip lantern)
I'm teaching a twelve-year-old a little Japanese. She loves anime and manga, so I brought together these four cats from anime and manga for us to use in practicing この、その、あの (this, that, and that over there), as well as "Who is this cat?" and other fun things.

Who is this cat? )


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