asakiyume: (glowing grass)
You know when you photocopy something from a photocopy of a photocopy of a photocopy--you know how generations down from the master, the results get a little weird-looking? The image or text is shrunken, and bits have somehow ceased to transfer, and other bits get blobby, and maybe the whole thing is streaked or gray, or misaligned now? That's what my mind-on-pandemic-and-Trump feels like. In an effort to get back to the master copy, I've been doing things like ....

New chalk drawing! I copied the seal of New England Central Railroad, the freight line whose tracks I interact with all the time. NECR's storied history extends back to the distant year of 1995, when the former Central Vermont Railway got a name change after being sold by CN (Canadian National Railway) to RailTex, a transportation holding company specializing in short lines that five years later was itself sold and became part of RailAmerica--another transportation holding company specializing in short lines. (Thank you, Wikipedia!) (Now it's owned by Genesee & Wyoming, another short-line freight company .... Thank you, NECR website.)

Here is the seal:



And here is the chalk drawing:

seal for New England Central Railroad

... It is on the concrete by one of the places where NECR rests sidelined cars. A sign declares the town:

IMG_0755

Sidelined cars, carrying "forest products"

train tracks


Other things I've been doing include collecting Concord grapes from where they spill over the chainlink fence around the supermarket parking lot ...

concord grapes

And doing portraits of the apples from our apple tree ...

apples from our tree
asakiyume: (feathers on the line)
Back in one of my Egipto entries, I said in a comment,
I've been thinking that rather than focusing so much on Nazi Germany and how things fall apart, we ought to be looking at how places recover. No two situations are the same, and we might not be able to put into practice anything of what we see, but just for the sake of remembering.

Because descent into awfulness is one story, but recovery from awfulness in another.

Here's an example of working to recover from awfulness--it's an exhibit called Rostros del Pacífico Sur (Faces of the South Pacific--meaning, in this context, Colombia's southern Pacific Coast) that we came across at the Gabriel Garcia Márquez Cultural Center. It's was part of a campaign that's been ongoing since 2010 called "No Es Hora de Callar" ("Now is not the time for silence"), which aims to give a voice to survivors of sexual violence.

The photographer Juan Manuel Vargas spent a year getting to know women in the Tumaco region of Colombia, one of the poorest parts of the country, and one that suffered a lot during the guerrilla conflict. The exhibition features his portraits and quotes from the women. (Here is a Spanish-language article about the exhibit in El Tiempo)

Here are some of the photos:

Tumaco 2

"Tumaco has a new generation, which dreams with hope"
Tumaco 1

"Society makes us believe that a group of women, poor and Black women, we don't have a right to be heard. Today we are telling them that they were wrong."
Tumaco 4

"We work for a better country," this barrier announces. The Rostros del Pacífico Sur exhibition is one way Colombians are doing that.

trabajamos por un mejor país

And here's another way--"Let's go vote!"
Simón Bolívar's house was not the only tourist spot closed for the first round of the presidential elections. (This photo is Waka's, not mine.)

vamos a votar (Waka photo)
asakiyume: (feathers on the line)
Wakanomori got some pictures that capture the spirit of wanting better and trying hard that we could sense even standing just at the edge of Egipto.

Here is graffiti saying Egipto vive, right beside the church:

Waka photo: Egipto vive

(click through to see it bigger)

And here is a shot up the hill that he got before we were warned away--you can't maybe tell, but on the right is a bright and hopeful mural, and straight ahead is a painting of a bird in flight.

Waka photo: Egipto

... And those promised thoughts. This was a comment I left in the last entry. It was saying why it took me so long to post that last entry, how life can feel just generally. One of my friends suggest reposting it as an entry itself because, she said, it might resonate for people:

It's taken a long time to post this entry. I nearly didn't last night, either. I've been (like most people I know) oppressed by the news, had my mind in a vise that won't let me think about much else. There's a not insignificant amount of self-loathing that goes along with all that, as all the people saying "If you ever wondered what you'd do in Nazi Germany... now you know" have made me pretty aware that what I would have done is only slightly north of F-all. My stories from my trip feel stale in my head, are a product of privilege, and seem irrelevant and escapist.

But mental incapacity and self loathing, not to mention obsession, are pretty useless states, and some part of me believes it's not pointless to talk about people going out of their way to be thoughtful, even if (especially if? I don't know) it's people in a rough neighborhood being kind to clueless tourists.

... This is both an apology and an apologia for this post. I know you didn't ask for either; I just am latching onto your comment as an excuse to explain. Maybe this comment is what I should have posted, but then I wouldn't have had an excuse to put in photos.

--and look, I managed to slip some photos in all the same.

I guess if people in Egipto can paint "Egipto vive" and can protect the stranger, I can keep... doing my small, small thing.
asakiyume: (nevermore)
I was waiting at a park that I had gradually intuited was the place a protest against family separation had been moved to. It was about ten minutes before the protest was scheduled to begin, and not all that much was happening. There was a banner, though, with an Audre Lorde quote ("Your silence will not protect you"), and a few people hanging around, including about five very buff cyclists, clustered together on their bikes.

A woman, slightly older than me, came up to me. "Is this where the protest is?" I said I thought so and made some joke about wandering around the original location in confusion.

She nodded, moved off, and then came back, remarking that it was too bad the cyclists were in the way.

"Maybe they're here for the protest," I said.

"No, they gather here every Thursday. I told them they should leave."

She said it without rancor, as if it was normal to tell people to leave a public park.

"Oh I don't know--I think they're good. They swell the crowd," I said, trying to make light of the whole thing.

"It's a problem every Thursday," she said.

Then a friend of mine showed up, and my attention went to my friend--but next to me, I heard the woman trying her anti-cyclist gambit on another person.

"I'm a cyclist," the new person said.

"But you don't understand; this is a problem every Thursday," the anti-cyclist insisted.

Annnd.... then the the leader of the cyclist group, I guess having figured that his gang were all there, announced the route they'd be riding, and off they went. They honestly could not have been more innocuous. They weren't riding around terrorizing people. They were meeting up in a public park--and then they left! The one woman's animus was so strange!

There were some good speakers at the demonstration, and some people with very good signs. I was somewhat depressed by the turnout--it was hundreds and I'd thought there might be thousands, but maybe this just means I'm out of touch. ... Anyway, onward and upward, keep trying, etc.

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