My imprinting version was Splash (1984), in which the change is painless and flexible.
My defining childhood mermaid media was Liz Kessler's The Tail of Emily Windsnap, which also had a painless + flexible mermaid transition, although there the protagonist was, in the immortal words of Lady Gaga, just born that way, so I didn't feel like that counted for this prompt. (Although she didn't discover her mermaid powers until middle school, because what kind of MG adventure would it be otherwise?)
My defining childhood mermaid media was Liz Kessler's The Tail of Emily Windsnap, which also had a painless + flexible mermaid transition, although there the protagonist was, in the immortal words of Lady Gaga, just born that way, so I didn't feel like that counted for this prompt.
I have not read the series, but cheap and easy recourse to the internet suggests it follows the same conceit: legs out of the water, tail in it. I am delighted. Would you consider the books to hold up? If so, I will try them on my niece.
(Splash features both the ability to move between worlds and the necessity of choosing between them, of which different characters are capable. I carried all of the folkloric parts of the story with me for life and had to rediscover a lot of the human '80's comedy as an adult.)
Would you consider the books to hold up? If so, I will try them on my niece.
I haven't reread it since I was like 10, but I remember it fondly. I think I may have read one of the sequels, but I think most of them came out after I aged out the series.
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My defining childhood mermaid media was Liz Kessler's The Tail of Emily Windsnap, which also had a painless + flexible mermaid transition, although there the protagonist was, in the immortal words of Lady Gaga, just born that way, so I didn't feel like that counted for this prompt. (Although she didn't discover her mermaid powers until middle school, because what kind of MG adventure would it be otherwise?)
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I have not read the series, but cheap and easy recourse to the internet suggests it follows the same conceit: legs out of the water, tail in it. I am delighted. Would you consider the books to hold up? If so, I will try them on my niece.
(Splash features both the ability to move between worlds and the necessity of choosing between them, of which different characters are capable. I carried all of the folkloric parts of the story with me for life and had to rediscover a lot of the human '80's comedy as an adult.)
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I haven't reread it since I was like 10, but I remember it fondly. I think I may have read one of the sequels, but I think most of them came out after I aged out the series.
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